Thirty Pieces of Silver – Antonio Smith
Back in February, I collaborated with a talented NC artist, Antonio, to create this music video. We combined our crafts, his words and my vision, and this was the product. For this week’s Terror Tuesday, I plan to show this video along with what happened during the shoot. The short story below is an entry from my journal, that was written shortly after experiencing the fear associated with creating this work of art. The video matches up with the theme of this month, and if you’ve seen it, then watch it again and try to find a new interpretation of it. Enjoy.
Based on a “True” Story
I am here again, trapped within an abandoned house with the joker, or rather his reflection in the form of a man with tattooed hands (and yes, love is this word). We were ready to shoot the music video we scheduled at the beginning of the year. And, what a day, what a glorious day. A dance recital in the woods, sun setting as we capture the releasing of a spirit that has taken root in all of us. There is more than eyes and hands in this work, our very lives, the fabric of this branded existence, the dream after one thousand sleepless nights. We are invested to the point that the sentinels who guard the hourglass of Midas, momentarily quit their posts to allow us thieves draped deception to rob them blind, leaving only an oil soaked feather. I damn near say that the world’s axis tilted a degree, gripped by the suffocating feeling that has parasitically latched onto our own golden moment…
…It is so cold that I can see the dying air escaping my pleural cavity with ease, the dust from the strange rubbish twirling in the flashlight beam. It is odd, the material that we stand upon is most bizarre. At first glance, one expects to experience the same phenomenon as taking combat boot to desert sand. However, our first journey to this demolished home dispelled our foolhardy hypothesis. The rubble was, honestly, soft, gentle like clouds; but the tarnish below is far from the graces of heaven. I imagine this to be the place of a ghost, not of the dead kind, but the living who have decided that disappearing is better than a decision. Gone, so far removed from the eyes of a bittersome society that milk cartons remain unchanged for there is no hope in discovery. We are nefarious trespassers, bringing our self-centered art to a domain of imminent despair. Who were we to foolishly encroach upon this shambling foundation, as if it were vacant? Upon first entry, I knew in an instant that this house had something of a beat beating in the desolate closet.
What an ugly shade of pink the walls is, the peeling of chips long untouched reminds one of scabs upon the knee. And here we stand, those who are too fearless in our pursuit to pursue and question our invasion.
Until her voice broke through the shivering darkness, “What is that on the wall?”
What wall? There should be no wall that is unfamiliar to my eye. I recognize these walls for they have graced my sight twice, and you know what they say about the third time. We pause, my camera flashing. It reflects, and the Joker keeps asking to break the mirror. My attention back on the wall, and this note. The letters are illegible unless one crosses into a risky threshold, choosing details over safety. We peer at the parchment that has been, admittedly, carefully positioned upon the wall. A tick, a scratch, there is a mischievous sensation upon my brow as my lips curl to read the lettering.
“God has given us two ears-” this alone was enough to make me retreat to the uncharted forest in my mind. I dared not allow my creativity and curiosity the best of my rational mind, forgoing a magnified view of the sheet, allowing the Lovecraftian unknown to stay at a distance. Insanity besets those shamelessly brave enough to know. Leaving the note, she suddenly remarks, “there’s another.”
Now I am bound by the principles of man to venture into the realm of shadows, aimlessly wandering the cosmos for some degree of truth. I pause the right brain and allow its contrast to tarry me through the Styx, serving as an eternally dependent Charon, ferrying me through this phantom permanence. This note is bubbly and childish as if it were lazily drawn on the picnic table in the blood orange haze of summer; and, yet this is hung at a height that no sapphire-eyed youth could reach. No, this is the working of an adult. Neatly hung at such a fright-filled height was the name, Felicia. A star decorating the “I”.
A pointless phrase escaped my chapped lips, the Joker well aware of our situation. Change has always been the hope of man. It is in his hastily constructed will where this belief originates, and here, I pray, it takes its last breath. To hope for change is the existence of the enslaved for its tangible as the gut-wrenching apprehension that now has wrapped its icy whip upon my ankles. See, we were experiencing a moment of so-called “change”, and the desire to escape through the shattered window exponentially increased. Where was hope, written by hands enshrouded by blood and shadow, upon the wall where the ghostly message had been etched? No, hope had no domain here, bound to a rusted chain that once obliterated the proud spirits of my precursors. How can one aspire to have hope while being strung by the hands of the faceless puppeteers, the slightest twitch of fingers has the power to divert the direction of my fate?
It is inevitable, and the witching hour draws near; yet, this cabin has us trapped in an illusion, unaware of the surrounding nature. Tension has us gripped and my passion dares me to throw my hands in hopes of pressing forward. Even after use, I come no closer to understanding hope, but it has saved me again.
We begin and the red sphere floating in the corner of my eye, serving as a necessary metronome. We film, and create, and shot, drones to the hive mind of art, risking our beings in the pursuit of a sealed truths. Only our hands have the power to restrain this horror, but we are unable to undertake a task; we are but guppies on a galleon. He begins, lips moving in the boreal night, but words he does not speak. Indiscriminate slurs, a grave-bound grunt spoken by a writhing tongue. And I feel the curiosity of all those who will view this as if one member of the audience was tasked with being the only visual sensation; a theater full of obscure faces will use this as law. I am serving as the owl of Athena, providing convex visions to those who were too indisposed to explore this derelict residence.
As he performs, and the pressure of his spirit sets the room ablaze, I am reminded of the curse. The hex has succeeded, turning my attention away from reality, tossing my mind into a gutter of primordial ooze and corrosive ambition. I am the wall, the very point where the nail has been amended to the wrist upon the back of Felicia’s canvas. Did I just hear a twig break under the nonexistent feet or is the blood rushing through my jugular misplaced? The pulse of my viscera cannot be contained by elastic veins alone, spilling art into the apprehension. My vertebrae have been reaching the qualms of a surrender, each click, and sense filling my eyes with the spectrum of light.
Will the floor break, finding my foot in some body-filled basement only to become the next stiff addition?
Maybe the beast that breathes in the thicket, behind the window in the eastern corner, will ignite their inhuman muscles. I can see the glorious moment now, a monster with snarling teeth, drenched in the fresh kill, will appear. In a flash, he will have torn through my abdomen with one precise swipe of his jagged claws. Oh, how foul it will be to witness the splattering of my organs, however, they say that disembowelment is in this season. Lying on the soft earth, half the man I used to be, I’ll notice the striking quality of his objects of terror. The bulbous nose that resembles a cliff above putrid waters, the ivory bloodlust that has materialized in his pupils; how they reflected the dying light. And his jaw, how shapely defined as if Michelangelo was commissioned by the commander of the Ninth circle, and given inspiration one final time to chisel centuries of undiagnosed violence and maddening thirst for my erythrocytes into this panther-like mandible. The last thing I may very well see may be the foamed jaws of the beast of Revelations hibernating in the home we have invaded. They say hope is found on the inside, maybe I will locate it among my distended cecum?
Alas, that was only a noise, and so far as modern science has extensively proven, noises are unable to disfigure the body such as mine. The Joker continues his hysterical rituals, my camera can no longer predict his movements. Erratic and spastic as if a queen ant had entered his chest, and burrowed into his ribs; there she laid ten-thousand eggs, all circulating through the four-chambered dungeon of crimson walls; and after being carried around to his appendages, they all decide to hatch and gnash at his tissue. Moving in ways that no normal human should contort, I am unable to predict him with my third eye (camera).
Now, it is me and this newly birthed creation, standing in the corner of a grimy room; but we may have been in limbo. My friend, who I’ve shared memories and substance with has disappeared beneath the finger-painted makeup. In his representation, physically; but, is a spirit that has been bound to a cursed object.
Ah, the rose. It makes sense, with the bottle half-empty. A bowl of packaged fruit waiting to be drained, the smears across his neck and mouth. This…this is a blood sacrifice, and I’ve been deemed worthy to die in this archaic ritual. Since before the fall of Jericho, there have been sacrifices requiring a living host who will face the end with hope.
Again, there is that damn word, how it pollutes my mental capacity for rationality. To lose that would mean to fail to find Rand’s individuals, yet it poisons me. Noxious fumes and toxins travel, disguised as particles of chance occurrences.
Why do I continue to have hope in the face of utter terror?
Do I not feel the bindings of my wrist, the pain that has yet to save me from this illusion. It is considered deprave to dream for something so impossible as hope, only the wise men and alchemist understand its working, and I am neither.
This golem in front of my lens has condemned me to this brief instant, altering the flow of the Nile, only for a moment. We exist as one, shared by two: source and projection. Each providing the devil with some contract written in the dark, by ink from a leaking thumb. When did we barter our souls, was this the unknown entry fee, the ante to bet on this moment. The candle in front of his blackened lips has finally burned out, and I am returned to the real. It seems that my hand was possessed by this idea, causing a Gothic style to dip from my dying pen. I am returned to the bar, the comfort of light upon my neck. But there is a fragment of me, still locked within that infernal moment, for upon completion is where things turned.
Our video called for an assortment of props: a series of Frank Sinatra records, the torso of a jester toy, wick and spark, a rose that reached the fragility of the end. But none were as fascinating, and oddly placed, than the mirror.
Positioned in the corner, in front of a child’s sock, it was erected. Angled as a corpse would be if it rose from the dark soul, its appearance is enthralling. Mesmerized by the reflection of this broken foundation, who knew such a beauty could thrive under forgotten objects? It was the production teams designation to leave the mirror for this so-called Felicia. If she were a spirit, I do believe this mirror has the power to return flesh to her, at the expense of divine currency. Surely, you don’t behave such blasphemy at free. Now, if our missing hostess happened to retain some degree of her assigned humanity, then this will serve as a portal to her pain. In her reflection may she finds suffering because only suffering has the power to remind the unconscious that life has an energy, a force that is beyond the measure of man’s greatest inventions, the gears will never understand the guarantee of the grave. A mirror, what change will this bring to this place?
Will…will I dare not utter this, for we are still under the derelict roof, but perhaps we can connect telepathically, for our values have been expressed through this ordeal. I apologize for this vain intrusion, but I must rationalize this decision with someone. I have stated time and time again, until my cords are raw with regret, that my life has been melded to this, proving that Prometheus is still bound. My heart goes to Sisyphus, maybe he will understand this ravenous plight. We will inevitably change the life of this house, clinging onto the shore of the last wave. Men have always held action higher than the idea, but unable to project this will into a stable reality. It is in moments like this, with terror lurking, that we have to cling to our fundamental values, most notably fear of the unknown. I am consciously choosing to throw an anomaly, a reflective surface in the dark abyss, surrounded by demolished furniture and dusted beer bottles. Notes strung upon the wall like strange fruit. Naturally, it was customary, and strangely courteous of us trespassers-bandits in some way-to leave something behind. We have taken the eternity of this place, no longer will it remain anonymous. It has been brought to a life of perpetual suffering.
To craft a project; this one goal has taken us through the caverns of an abandoned Thanatos, and we have conspired with the warden to leave a treasure upon our completion. Will the prisoners of this wooded Hell find a glimpse of God, resting inside their bosom-
Still, the word escapes my tongue, and I cannot speak the truth, not yet.
Hastily, we exit through the same path that brought us to this studio of terror, greeted by the shadowed thicket. The vines tangle with the tendons of the wilted branches as if they gained momentary animation, and let Arachne perfect her craft. We hack through with arms and machetes until one final ditch remains. A dried moat that, once, possibly isolated this crypt from the rest of the road. I half expected the snarling beast to grip me before departing, and tear me into pieces at the very end.
A well-timed step, a brush of the pine green, the feel of familiar bark in my hand: freedom.
Who knew the street was only five-feet away from the edge of the forest? Above lies darting comets, illuminated dots waiting to be connected by frost-bitten fingers. The silhouette of my car, enshrouded by the darkness that can only be found on the roads ungraced by a constructed street light. How splendid the cosmos are, how we forgot that infinity is just above.
I remember now, how it felt when that sensation comes alive, that word that has finally turned from noun to verb: hope.