Tag Archives: writing

Close Quarter Confession

Entry Date: October 11th, 2017

I’m sky high.

And by sky high, I merely meant that I am currently sitting in seat 34D (the last seat on the right side, near the lavatory) on this Delta airplane. An Asian (I believe Chinese based on the language-I studied Mandarin in college) woman is fast asleep next to me while her son watches Pepper Pig on an iPad. There’s a sense of isolation in this position, but do not mistake it for loneliness. I desire this solitude. It makes the traveling…less hectic; and, I am blessed with the ability to decipher my thoughts-this is an added plus when one is at the beginning of something.

A new chapter began this week, and it started with a DM (yes, a direct message). How can something so simple, and partially ridiculed by society, start a revolution in me? Because, I had to take the risk, and create an opportunity that was previously nonexistent. When that message left my device it didn’t matter if it landed in the inbox (it did), or if they didn’t respond (they did).

What mattered then, and still does now is that I will waste no time being a content observer, not when my dream is to be a director. A director does witness, but only does so to devise their next action-either born from strategic intent, or sheer improvisation. This I wish I could say I knew already, but I only realized it this past Sunday, when I watched my script come to life on a screen.

Peninsulas & Pyres

Foresight has informed me of my foundation; it is built upon opportunities, risks, tactics, faith, fear (and the conquering of it), and so much more.

I feel as if I’m a missing member of this Asian family, for they are steadily drifting toward my seat; but, they are at peace so I will not disturb them. On this voyage to my new life, I am alone, and in this aloneness, I will learn who I am. Maybe I will discover that I am like one of the dull faced drones who previously occupied the boarding area. This creativity and talent could be a fluke, a momentary spark in the darkness that showed signs of blossoming into a blaze, only to die when the ventilation blew too hard. I may very well die, and I quote the great Billy Crystal “one of those New York deaths where nobody notices for weeks until the smell starts to seep through.”

This is a possibility that this reality materializes but, luckily, this isn’t my only option. No, there are countless others, one for each word that my pen writes. And, this is the reality I dare to choose… A realm solely made for the manifestation of whatever dreams I dare to dream. Yes, I am not only a dreamer (ahem, Pisces), but a do-er as well; and though I live for a challenge, there is nothing like conquering a task that was given by the self. I accepted long ago that my spirit is a seeker. It desires to chase. What it desires, honestly, depends on the day of the week. Why be confined to one choice anyways?

I have talked quite lengthily about my next adventure, however, I must now address the actions that are required for it. Truthfully…I don’t know the next step after arrival. And this may, possibly, be the ideal answer for anyone in my position; the act of leaving the specifics of each step to the self that encounters it. Technically, there is nothing one can do now to bring a reality into fruition, and yet they can do everything as well. Confused? I know, that’s how I feel as this mother and son cuddle, now encroaching in my chair space-bubble-aura-thing.

I wish to turn on the light-there is no window at this seat-however, I, again, do not wish to disturb them. Irony at its finest, because seconds ago my flash nearly blinded us (I failed to take a picture of the distance, or centimeters, between our shoulders). It’s fitting that I am writing in the dark, the physical manifestation of “Unknown.”

 

Moments over Minnesota

I, much like the rest of humanity, am unaware of what to expect out of this life. This has been learned, along with the idea that expectations are arbitrary anchors; they ground us on abstract shores, creating the delusion that our vessels are steadily rocking with the seagulls rather than descending into the briny blackwater. I can’t preach to you as if I’m immune to them; they still do appear in my mind, but their appearance does not signify acceptance.Just like the child who recently stirred in his mother’s lap, I am young and naive; however, I am aware of the power of choice. This is what separates me from the anchor, and depart from the comforting (or complacent) seaside cottage. I will not be bound to the rusted chains of a dying reality, instead I will shed the expectation before embarking on each experience. Without the imaginary safety net for insurance, I will be granted two options: sink or swim.

By eliminating the “what if” factor of setting expectations, and tolerating the tension associated with the presence of the “Unknown”…maybe, just maybe, I can prepare my soul for the next voyage. Without expectations present, action is now the required force to create a reality, a result, or a byproduct of a risk. Action is required if I wish to best the “Unknown”; if I wish to best the darkness within. No longer are the days of silent observation, from this day onward, I will be the director that I’ve dreamed of becoming.

A self portrait taken in the lavatory. I had to wake up the family to get to the bathroom though 😦

Flight Plan

The sky yawned this morning.

It drowsily rubbed away the darkness as the sun awakened.
Cotton pillows fluffed while the first rays of the day spread across the horizon.
From such a vast height one forgets that there is a world full of sleeping folk below, because we are the early bird.

The sky soaring albatross that beats its blackened wings against the wind, heading westward with hopes of sharing its feathers with those who have never known the joy of flight.

Advertisements

The Art of Destruction

*Author’s Note*

I am steadily navigating my way through my second novel, and this journey has proven to be more intense than the previous; but, my progress is constant, no matter how few words are written per day: the story is still being told. I’m keeping the details of this second plot close to my chest, along with the title, but that does not mean I am unwilling to share an excerpt. I will give no background or foreground knowledge about the story, I will simply leave this task to your own imagination. And then, when you’ve finally forgotten about it, I will have completed this second work. (also excuse any grammar errors, this is still draft I).

“What must a man do when he has become tired of everything, but himself? Does he spend his days shamelessly entertaining the dull crowd of fodder, or does he disappear into the chasms of his own being, becoming a recluse and myth in the process?” Baudelaire spoke as he lit the oil lamp that hung in the corner of his sculpting studio. It was a lavish construct, crafted by an architect who was known for his appreciation for space and silence. Various works lined the walls: a replica of William Blake’s David and the Dragon was above the furnace, a scroll that had a Chinese character written in calligraphy, and two bastard swords that had been shipped from Italy. His residence was a den of relics, pieces made by the hands of daring artists who ventured beyond the conventions; however, they did not come close to the majestic collection of sculptures that he’d created.

Baudelaire ran his finger along the bridge of Pope Paralaxiu, the supreme religious leader in his generation, and blew away the marble dust. “Another completed model, and yet I have been unable to shake this stirring in my soul. Why does my heart not well up as it did when my hands first took hold of the chisel?” On his carved desk were various tools that he used to sculpt, and pinned on the wall, above the counter, was his first hammer. Nostalgia beckoned his attention to the metallic tool. “Ever since my boyhood, I have done nothing but create. Sculptures and paintings, critical essays and discussions, and yet, what have they brought me? Where is the joy that is supposed to exist at the end of an arte? Have I been chosen to be deprived of it, malnourished from this nutrient that my soul craves in order to survive?” Next to the toolkit was a leather pouch the Church’s messenger had delivered; Baudelaire noted that religious men tended to carry gold faster than they did the gospel. “And this,” he opened to reveal both jewels and gold, “are men foolish enough to believe I create in order to amass a fortune of these arbitrary trinkets? Coins and gems, and coins and gems, and COINS AND GEMS! That’s all they wish to reward me with rather than…well I doubt they will be able to reward me with anything that can satiate my restlessness,” he confessed to himself. The flame flickered and plume of sawdust danced in the embers. “I am wasted here! This life is but a fool and it is because society has no desire to do anything, but consume. They care not for intellectualism or philosophy, or even how to become a human being. No, they are solely focused on the productions and consumption, turning us artists into beasts of burden who must birth the objects of their desire. How many eyes have I molded that are more authentic than the irises of those who gaze upon them?” There was an angered tone in his voice which caused him to reach for the bottle of fermenting wine that he’d left under his desk. Removing the cork with his molars, Baudelaire recklessly took a swig that could’ve cured dehydration in a dying man. His lips were removed from the bottle, along with the hammer that was on the wall. “And what am I left with, but marble and blood?”

Suddenly, the hammer came crashing down on the desk and rocked the frame, tipping the pouch over. The mass of gems spilled and Baudelaire swatted them away with his hands. Emeralds and coins went flying across the floor as if a star had just exploded and released cosmic shrapnel into space. “Well I say damn the trinkets! Damn the constructs of this world!” Again, the hammer came crashing down against the desk until he turned the head on the bust of the Pope. Soon, pieces of marble were scattered across the floor and the skull of the sculpture sunk into itself. A thick cloud of sediments and dust escaped from the remains, and Baudelaire bared a devilish grin. “They are not aware that artists are not just creators…the live for destruction too!” His aggression brought the weapon down, repeatedly, on the face until it was reduced to a pile of smoothened rubble. One of the eyes had been tossed towards the painting on the wall, and Baudelaire rushed towards it, flailing madly. He tore at the piece, and sparked the furnace to life, by tossing the oil lamp into it. Now he was surrounded by darkness, and the only source of illumination was from the mouth of this oven; but the shadows did not prevent him from stopping his rage. “Countless days I have spent shouldering myself to this society in hopes of living comfortably. I have put my own person aside just to enter their realm of reality. But I dare to take him back. No, they will not have this essence of me, they must not! I will leave, and erase my name from this world. I will become the myth that men whisper to each other with envy. I will show them…that to live as one’s own self is a far greater luxury than the royal jewels of a corrupt court. And if I do not…then let my soul be eternally tortured by the curse of feigning an existence. I have wasted enough of my precious ego trying to craft my ideas into tangible constructs, just so men and women can criticize it for not meeting a noble standard.”

The furnace burned brightly for Baudelaire had cast nearly all of his possessions into the flame while shrieking. He took one more, drowning swig of the bottle to drain the wine, and he tossed the glass into the oven, which exploded upon contact. A few stray embers escaped into the engulfing darkness, and the madman dropped his hammer on the floor; the resounding chime of the metal brought him out of his berserk-like rage into reality. Into the destroyed studio that had once been decorated with the most majestic of man’s creations. “It is pointless to change the world. It is pointless to attempt a coup of society’s consciousness. No more…I will resist no more. I will depart. Leave this existence where it stands and forget all of this had ever happened. After all, death is the only release from this suffering.” He brought the chisel that had been with him since the beginning to his wrist. The jagged edge nicked his skin and instantly drew blood.

Amidst the wreckage he laid, with his palms coated in the dust of the shattered sculptures. The gnawing flame had tended into something more docile. A stray beam of the dawn infiltrated the dark expanse, bringing with it a faint light and warmth to the phantoms that had comforted the deranged man throughout the night. His tired eyes followed the sunbeam from the port of entry-a cracked window he purposely never fixed-towards something positioned on a column. Baudelaire rose from the rubble, dusted off the destruction, and guided himself to the surviving piece. His eyes widened, “what can I say about this moment that will do it justice? Indeed, if I were a man who did not believe in the power of fate, I would truly mark this off as a sign from the divine.” He removed the chisel from the base of his wrist and set it in his pocket, freeing his hands so they could tacitly inspect the lone statue in front of him. “But…I am not sure if this is a smile from fate. Could it be something more? Why, out of everything that was destroyed tonight, did this manage to survive the chaos? This is by no means a coincidence and, perhaps, it is a possible answer to the questions that plague my mind.” His hands traced along a smooth jawline that was defined like a majestic cliff. The lips that were placed in the center were slightly large, but thin enough to stay still when listening.  “I will only…” eyes sharp as arrowheads, “believe in…” his eyes. “You.” Fragments of soon-to-be-forgotten figures were thrown across the floorboards, all lying underneath the mold of his own face. Although, it has been near the other pieces, it had somehow avoided the destruction. “Only I remain.” With this realization his knees buckled, and tears streamed from his eyes as the chisel rolled out of his hand. The rage that had fueled his rampage was gradually substituted by exhaustion; he now lay flat on the floor, devoid of any sensation. Unconsciously, as if being controlled by the statue, Baudelaire raised his hand toward the crack of light and attempted to snatch the divinity, disguised as particles of dust, just as a man does when he is finally himself.

Wither.

How does one forget a name

It starts with remembering

Thinking of every inked page,

midnight conversation,

and captured photograph,

This is where you begin

Take a flame,

One able to fit in your moist palm

And purge the soiled sheets

With the almighty eraser

Upon cooling fragments must be tossed

Ashes given wings in the wind

To where they go, it doesn’t matter

For they are only remnants of a dream once lived.

Allow time,

The comforting mother,

To rest her hands on your weary head

Letting her fingers move the minutes

Until moments in love are lost to tomorrow.

Then, you are free.

You will meet her on a day,

That is like all of the other days

But she will approach you,

Trying to provide answer

For questions, long-forgotten.

Photosynthesis.

I see my past when I see her

There I am

A seedling

With eyes bigger than my heart

And there you are

A girl

The first girl

Who I remember

Maybe because of words exchanged,

How tasteless they were

But my mouth had yet to form truths

Only spewing what the brain spilled

From the darkness.

 

I find myself older

But not by much

Hormones and self-hatred flow in my veins

Because my skin doesn’t fit

At least that’s what they tell me

But you say nothing

And that’s all I want to hear

The pulse of a prayer

Gifted by lips in the form of laughter

Able to bring enough of me back

To believe in the black that I am cloaked in.

 

Time and space are wedges

Tools used to split us apart

Because I forgot you

For years

And you forgot me

For who knows how long

Until by chance

Flesh failed and biochemical notes enter book bags

Faulty anatomy brought you down

But lifted something up

As we waited in the sterility

Hoping to see tomorrow,

Together.

 

The day finally came

When I knew freedom

My tongue has twisted enough times to know

That truth lies in the hands

Your touch reminds me

Of moonbeams and fireflies

Ice cream and sun-showers

How infectious you are

Susceptible to your every whim and wish

Taking every penny from my pocket

And tossing it into the fountain of youth

Maybe,

If you stick around this time

I’ll be able to say what I couldn’t

The first time we must

Underneath the fluorescent lights.

 

Iris.

I’ll never forget the look in her eyes

Like that of a child

Or four toothed grandmother

Pupils full of light

Slowly illuminating hazel irises

Each retina firing

Aimed at my soul

The gaze caused my heart to tap dance

Puppeting around as strings of my fate

Found their way into your hands,

Hoping to become a real boy,

Or man

who is capable of love.

 

It was the slight curve of eyelids,

Covering just enough of your window

For me to sneak a peek

At the you

That I’ve wanted to see.

A slight double take

Eyes to lips

Lips to eyes

Shifting rapidly like revolving sirens

These optical illusions have become my reality

Forced to occupy a space of smoke and mirrors

With no hope of escaping your eternal void

But I don’t want to leave.

 

No,

Let me be the dream dust that forms in the corner

and on long nights I will whisper to your eyes

Disguise my feelings as fleeting sheep

Bouncing from cloud to cotton pillow

And when you finally close them

Allow my kiss to be the last image they see

So there will be no questions,

only truths,

That you alone will know,

When you awake in my weary eyes.

 

I would give you the world

But hands are heavy,

However,

There is a universe of love

Waiting to be discovered

By the one who is willing

To be part of your constellation

Shining in the twilight of your gaze.